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Season 3 is pleasant enough, but it has nothing to say.
Whether you just started watching or have been hanging on since the pilot, the series finale provides zero closure, leaving things in a similar place as Season 2 and suggesting that divorces just kind of go on forever, so why bother talking about them anymore?
“Divorce” wasn’t always an innocuous vacuum, so what happened?
Created by Sharon Horgan, the comedy got off to a rocky start with iffy reviews (Season 1 averaged a 60 rating on Metacritic), so-so ratings (averaging just over 600,000 linear viewers), and not enough awards love to compensate (one Golden Globe nomination for star Sarah Jessica Parker, which wasn’t duplicated at the Emmys).
Frances (Parker) begins the season looking for work, after her gallery burns down and she can’t afford to start it up again.
“Divorce” Season 3 is very nearly a parody of its former self.
It also got its third new showrunner in as many seasons.
Liz Tuccillo took over for Jenny Bicks, who ran Season 2 after Paul Simms guided the inaugural voyage.
What was a biting black comedy when it premiered in 2016 is now an accessible, easygoing pseudo-comedy.
The players remain the same, but Frances (Sarah Jessica Parker) and Robert (Thomas Haden Church) are coasting through their post-divorce lives just as the season coasts to a less-than-fulfilling conclusion.
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Craig Blankenhorn/HBO So, if not to answer lingering questions or take a big swing at reinvention, why does Season 3 exist at all?