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So, when she got her show, and I had already directed Eureka, she just believed that this was what I was supposed to do.
TSL: Would you prefer to direct episodic television or one off projects?
Luckily, I had a great stunt coordinator, a great DP and a great camera operator who can get in there and help with that vision.
When I first started directing, I thought I had to do everything but now I’m realizing that there’s a reason why you have to have a stunt coordinator and there’s a reason why there’s a DP there and you don’t have to know every single thing every time.
I can tell you what I want and what I’d like to happen.
You might want to consider being a director.’ She saw something in me that I never had considered.
When I decided to direct full-time, I realized that maybe that was the thing that I was supposed to be doing. Mousa Kraish (the Jinn) takes you behind the scenes of American Gods Episode 205 and his experience shadowing director Salli Richardson-Whitfield. I think that the one thing, unless it’s a show where this is completely something that they don’t do, I like to keep the camera moving.
New episodes of American Gods Sundays on the STARZ App. TSL: Stylistically, every director has their favorite techniques. As a TV director, you have to come in and bring your own style, you have to bring your own stuff to it. The more that I can keep the shot going, where people are coming in and out and falling into the right places naturally and you don’t have to fully cut out of it, those kind of shots really excite me because I have to take time to prep and think about how do I execute the shot.
If it’s my show, then we’re living in a world that I want to create. TSL: Tell me about your style of leadership as a director?
SRW: I don’t know how to choreograph a fight scene.